Similar to how Alfred Hitchcock’s two version of The Man Who Knew Too Much (1934/1956) use the same core ideas but differ in details, the motifs Paul Halter returns to in The Gold Watch (2019, tr. 2019) — the dual time period narratives of The Picture from the Past (1995, tr. 2014), a baffling no … Continue reading #575: The Gold Watch (2019) by Paul Halter [trans. John Pugmire 2019]
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